“We’re in an extraordinarily challenging time, and we’re all feeling that,” says Youssef. Youssef and Haberlin think it is an ideal moment for The Boy in the Moon. Article contentīut the idea of seeing a play about a family’s tragedy - even one shot through with dark humour and funny moments, according to Youssef - may be a harder sell to a pandemic-weary public than it otherwise might have been. This advertisement has not loaded yet, but your article continues below. “But over the course of the past year, the Cultch has learned to do live-streams really well, and produced some really intimate beautiful pieces.” “I’m in theatre for the in-person relationship. “I’d been very resistant to digital adaptations,” said the director, whose last live effort was Straight White Men for Gateway Theatre early last year. The cast and crew of The Boy in the Moon got through two-and-a-half weeks of rehearsals last year before they had to shut down.īut the Neworld Theatre/Cultch co-presentation is coming back, albeit in hybrid form: live-streamed performances.Ĭhelsea Haberlin was hesitant at first. The next issue of Sunrise presented by Vancouver Sun will soon be in your inbox. If you don't see it, please check your junk folder. Manage Print Subscription / Tax ReceiptĪ welcome email is on its way. Westcoast Homes & Design Previous Issues.Vancouver Sun Run: Sign up & event info.
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